Iñaki Alberdi & Carlos Mena
Iñaki Alberdi & Asier Polo: première of "Transfiguración" by Jesús Torres
"Aconcagua" by Astor Piazzolla in Musika Musica Festival
CD - SENSATIONS
“He has talent and total dedication as an artist to music. His understanding of the depth of the form is amazing, all linked to his temperament has caused me a strong and extraordinary impression”.
“Iñaki Alberdi is an exceptional accordionist, one of the most outstanding musicians”.
(EL PAIS – J. A. Vela del Campo).
“Iñaki Alberdi llego a palpar el milagro… quizá todo su secreto radicara en la forma de respirar. La suya fue una actuación emocionante.”
(ABC – A.G. Lapuente)
Dates: November, 29-30
Venue: Folkwang University of the Arts, Essen (Germany)
FUTIAN INTERNATIONAL COMPETITION FOR ACCORDION COMPOSITION
Dates: October, 17-20
Venue: Shenzhen (China)
MASTERCLASSES AT BEIJING Y TIANJIN
Date: October, 14-16
Venue: Central Conservatorio of Beijing
Iñaki Alberdi records Amicitia by Luis de Pablo with the Bilbao Symphony Orchestra
Josquin Des Prez, with counter-tenor Carlos Mena
Asturias by Albéniz with the Castilla y León Symphony Orchestra
New Iñaki Alberdi channel on YouTube
Accordion Meeting Point springs from a desire to offer accordion students a meeting place that combines the different skills that can affect their future career. Performance, technical and musical aspects, familiarity with equipment and recording experience under the...
Iñaki Alberdi played Guridi’s “Nostalgia” in which he was the home of the poet Vicente Aleixandre, Nobel Prize for Literature 1977, during his interview with the Radio Nacional of Spain program of Spain, El Ojo Crítico.
Iñaki Alberdi and Carlos Mena release their CD «Cueurs Desolez» on Friday, May 31 at 12 noon. at the Real Academia de Bellas Artes de San Fernando in Madrid. Published by IBS Classical, the CD includes works by Josquin Des Prez, Bach, Jesus Torres, Gabriel Erkoreka, Joan Magramé and José María Sánchez Verdú.
New Album – Cueurs desolez
“Accordionists and countertenors are thus a very specific type of musicians. They need to build up their repertoire in the present day, while investigating their respective instrument’s possibilities and potential relevance for interpreting repertoire from the past. And what better testimony of that vocation and that endeavor could one have than this current CD release?”